Warm Gold and Espresso Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Warm Gold and Espresso Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Warm Gold and Espresso Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Warm Gold and Espresso Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Warm Gold and Espresso Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Warm Gold and Espresso Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Warm Gold and Espresso Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Warm Gold and Espresso Turkmen Gül Bokhara, Hand-Knotted Wool Rug
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Warm Gold and Espresso Turkmen Gül Bokhara, Hand-Knotted Wool Rug

In Stock
通常価格$3,186.00
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税込。 送料は会計時に計算されます。
Size
Color
Rug material

Only one available — one-of-a-kind.

A warm gold field carrying a dense grid of octagonal Turkmen güls, each quartered by a cross and filled with coral, cream and sage devices, with small stepped stars in dark brown standing at every intersection between them. Wide multi-band borders of star-güls, diamond diaper and hooked repeats in brown, coral and cream frame the field, closing at each end with a bold panel. Cream fringe at both ends.

Hand-knotted in wool. The field carries two motifs and they do not share a palette: all the coral on the rug sits inside the güls, and the small stars between them are drawn strictly in brown and cream. At 151×252cm this is a medium room rug, suited to a living room, a bedroom or under a smaller dining table.

  • Type: Hand-knotted pile rug
  • Material: 100% wool
  • Design: Turkmen gül Bokhara, all-over grid
  • Size: 151×252cm (5'0"×8'3") — Medium
  • Colour: Warm gold and espresso, with coral, cream and sage
  • SKU: R 44112
  • One-of-a-kind: Yes

100% wool pile, hand-knotted, with a natural fringe at both ends. Wool is resilient and forgiving underfoot, which matters on a room rug of this size that will carry furniture as well as traffic.

A warm gold ground sits at the paler end of the range and is less forgiving than a red or dark rug, though with half the field covered in drawing a mark has a good deal to hide behind. The cream inside the güls is the colour that will grey first.

There are two motifs in this field and they have been given separate colours. The octagonal güls are quartered and packed with coral — it appears in every one of them, in the same places, and it appears nowhere else in the field. The small stepped stars that stand at each intersection between the güls are drawn strictly in dark brown and cream, with no coral at all. Neither motif borrows from the other.

The effect is two rhythms running across one surface. The coral marks out the gül grid, warm and regular; the brown stars mark out the offset grid between, neutral and slightly denser. Follow either one across the rug and you can hold it separately from the other, which is why a field this closely packed — half of it covered in drawing — does not turn into a single texture. Keeping a colour to one motif and withholding it from its neighbour is a small discipline, and it has to be maintained across every emblem on the rug for the effect to hold.

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