Cream and Soft Pink Medallion Tabriz, Hand-Knotted Wool Rug
Cream and Soft Pink Medallion Tabriz, Hand-Knotted Wool Rug
Cream and Soft Pink Medallion Tabriz, Hand-Knotted Wool Rug
Cream and Soft Pink Medallion Tabriz, Hand-Knotted Wool Rug
Cream and Soft Pink Medallion Tabriz, Hand-Knotted Wool Rug
Cream and Soft Pink Medallion Tabriz, Hand-Knotted Wool Rug
Cream and Soft Pink Medallion Tabriz, Hand-Knotted Wool Rug
Cream and Soft Pink Medallion Tabriz, Hand-Knotted Wool Rug
Cream and Soft Pink Medallion Tabriz, Hand-Knotted Wool Rug
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Cream and Soft Pink Medallion Tabriz, Hand-Knotted Wool Rug

In Stock
通常価格$3,193.00
/
税込。 送料は会計時に計算されます。
Size
Color
Rug material

Only one available — one-of-a-kind.

A pale butter-cream field with a lobed medallion at its centre and pendants reaching to either end, the whole surface worked in scrolling arabesque, palmettes and small blossoms. The accents are barely stated — soft pink, pale blue, sage and a warm tan for the scrollwork — and the border is the same brightness as the field rather than a contrasting frame, so the rug reads as one continuous luminous surface. Large scrolling acanthus forms fill the corners, and a natural fringe finishes both ends.

Hand-knotted in wool at a fine gauge, fully curvilinear throughout. This is about as pale and as tonal as a Persian rug gets, and it makes particular demands: with no strong colour anywhere, the entire design rests on the accuracy of the outline. At 198×305cm it is a large room rug, big enough for a full seating group or a dining table with chairs pulled out. It is a rug for a considered room — there is nothing here to disguise a mark, and a pale field of this size sits largely in open floor.

  • Type: Hand-knotted pile rug
  • Material: 100% wool
  • Design: Lobed medallion with pendants, all-over arabesque
  • Size: 198×305cm (6'6"×10'0") — Medium
  • Colour: Cream, with soft pink, pale blue and sage
  • SKU: TO 67
  • One-of-a-kind: Yes

This is a fine, hand-knotted piece that rewards a little extra care. 100% wool pile with a natural fringe at both ends.

This is the least forgiving kind of rug there is: pale throughout, tonal throughout, with no strong colour anywhere to disguise a mark. Footmarks, vacuum tracks, furniture-leg crushing and any spill will all show. A rug pad is essential rather than advisable, and placement should be decided carefully before the rug is laid.

Almost every rug uses its border as a change of value — a dark frame around a light field, or the reverse — because that contrast is what tells the eye where the field ends. This one does not. Measure the border against the field and they are within a few per cent of each other in brightness, so there is no frame in the usual sense; the design is held together entirely by drawing and by very small shifts of colour. That is a deliberate and difficult choice. With no value contrast, every outline has to be exact, because nothing is being separated by tone: follow the arabesque where it passes behind a palmette and note that it emerges precisely on its own path, which is the only thing keeping the two forms apart. The accents are stated as quietly as possible — soft pink, pale blue, sage — and they work as punctuation rather than as colour. The result is a rug that reads as a single luminous surface from across a room and resolves into detail only when you stand over it.

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