Camel and Teal Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Camel and Teal Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Camel and Teal Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Camel and Teal Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Camel and Teal Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Camel and Teal Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Camel and Teal Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Camel and Teal Turkmen Gül Bokhara, Hand-Knotted Wool Rug
Camel and Teal Turkmen Gül Bokhara, Hand-Knotted Wool Rug
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Camel and Teal Turkmen Gül Bokhara, Hand-Knotted Wool Rug

In Stock
通常価格$3,202.00
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税込。 送料は会計時に計算されます。
Size
Color
Rug material

Only one available — one-of-a-kind.

A camel field carrying a single column of Turkmen güls in salmon, cream, teal and near-black, threaded on a fine dark line that runs through their centres from one end to the other. Small pale grey-green devices flank them at both field edges. The borders are very wide and worked almost solid — bands of hooked diamonds, star-güls and dense geometric filler in navy, teal, salmon and cream — and a broad end panel of diagonal lattice closes the rug. Cream fringe at both ends.

Hand-knotted in wool. Field and border are drawn at quite different densities: measured, the borders are about nine-tenths covered while the field keeps roughly a third of its camel ground open. At 76×429cm this is a very long runner, suited to a full corridor or a hall. A camel ground sits at the warmer, paler end and will show marks more readily than a dark rug.

  • Type: Hand-knotted pile rug, runner
  • Material: 100% wool
  • Design: Turkmen gül Bokhara, single-column field
  • Size: 76×429cm (2'6"×14'1") — Runner
  • Colour: Camel and teal, with salmon, cream and navy
  • SKU: NF 218462
  • One-of-a-kind: Yes

100% wool pile, hand-knotted, with a natural fringe at both ends. Wool is resilient and forgiving underfoot, which matters on a rug this length — it will be walked along its whole run rather than crossed occasionally.

A camel ground sits at the paler, warmer end and is less forgiving than a red or dark rug: with a third of the field left open, footmarks and vacuum tracks show more readily than they would on a crowded ground. On a runner of over four metres, wear is very uneven — the stretch nearest the busier doorway takes far more traffic than the far end.

Field and border on this rug are worked to two quite different densities, and the difference is measurable. Across the borders, about ninety per cent of the surface is drawing — bands of hooked diamonds, star-güls and filler packed edge to edge with almost no ground showing through. Across the field, only about two-thirds is drawing; the remaining third is open camel wool, sitting around the güls and between them.

That contrast is doing the work that a colour change would do on a busier rug. The border reads as dense and dark, the field as open and warm, and the boundary between them is legible from across a room even though both are built from the same palette. It is also the reason a rug fourteen feet long does not become tiring: the eye has somewhere to rest along the whole run. The trade-off is practical — open ground shows footmarks and vacuum tracks more readily than a crowded field would, so this rug rewards being kept rather than simply used.

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